Biography of Matthew
Bates
Matthew Bates was born in Washington, D.C. in 1970 to an artistic family.
His father, Stephen Bates is a professional clarinet and bass clarinet
player in the Opera House Orchestra of the Kennedy Center in Washington,
D.C., and is a talented abstract watercolor painter. His mother Isabella
Bates teaches singing with an emphasis on healing meditative techniques,
and his sister Jessica Bates is a theater actress who currently lives
and works in New York City. Matthew attended the highly acclaimed Sidwell
Friends School where in his senior year he won the art award and was
captain of the Track team. At 18, Matthew left Washington to go to art
school in San Francisco at the Academy of Art College. While there he
learned many techniques in drawing, painting, and design.
After two years of Art College, Matthew decided to take a year long
course in Firenze, Italy at Gonzaga University. This became the turning
point in his life, As an artist and as a young man because Firenze changed
everything for him. Before Italy, his paintings were abstract in style
as he would let the watercolor flow onto the page, much like his father.
Slowly, things began to change. In 1992 Matthew moved to Firenze, not
as a student, but as a person who was looking for a radical change in
his life. When he returned to Italy his paintings started to take on
an ever more realistic style, until in 1995 he created Holy
Water, this painting which defines his new technique of using photographs
to get primary information for his paintings. This would be developed
further in his later works, such as Notte,
and Pitti
Lillies.
In 1998 Matthew
was introduced to the computer which would further help his developing
style. By being able to create images on the computer before the start
of a new painting, Matthew was able to see what a project would look
like before the first brushstroke touched the canvas. In this way Matthew
was able to make commissions for clients and show them his computer
work-ups before the project started. This can be seen in such paintings
as: Lucia, Tuscan Dream, Anne's Poppies, Singing Beach and Waterfall,
all commissions that were begun with computer work-ups.
As the new millennium
rolled around Matthew added a new aspect to his growing list of techniques
by getting a digital camera. The digital camera has brought the use
of photographs in his work to a higher level. With the digital camera
Bates was able to take many more pictures and see them instantly, ever
increasing the quality of his images. Now the creation of his realistic
oil paintings was taking on even greater quality and the paintings began
to take on even more details, and larger scale. Some examples of this
are: Villa
Cafaggio Still Life, Santa
Trinità Bridge, and Piazza
Frescobaldi .The last two represent Matthew's latest development
which is the bending of space and time. By adding photographs together
Bates creates an image which stretches reality with three perspective
points to his image. For example, if you are looking, in real life,
at one side of the Santa Trinità bridge, you cannot see the other
side if you were to be standing in the exact spot where Matthew took
his photographs, however in the painting we are able to see both sides
at once due to the adding on of photographs from left to right. Matthew
calls this technique "Magic Realism" because it allows us
to see a realistic image in an magical context. It is as if we had three
sets of eyes, spying on the world all at once. One of Matthew's latest
paintings is called Campanile
di Giotto. In no other painting is this new technique more pronounced,
because Matthew took his photographs from only 20 meters away from the
base of the tower. In this way, if you were there, and looking at its
base you would not be able to see the top of the bell tower, but Matthew
adds new dimension by bending space and time to include three perspective
points So that we can also see the top of the tower.
Matthew's technique
has been molded by mathematical principals as well. In several of his
paintings he has used Fibonacci Rectangles, or the Golden Ratio, to
create the design of the painting.
Matthew is now 38
years old and his career is still in its beginnings. However if we look
back at his 25 years of painting we can see that the development is
that of a much older artist. Matthew is not afraid to use new technologies
in his work while respecting the historic qualities that have been handed
down to his through the ages. Firenze has been his greatest teacher,
and Matthew is a good student. Matthew said: "Sometimes I can feel
Michelangelo look over my shoulder while I'm painting and tell me that
I can do better!"
Bates's Paintings
can be found in private collections from Alaska to Venice, and he still
is living and painting in Firenze to this day.
Selected Exhibitions:
1997 Artisans Gallery, Washington
D.C.
1998 Watergate Gallery, Washington D.C.
1998-2000 Mannaioni Gallery, Firenze
1998 Piansa Gallery, Firenze
1998 Kennedy Center, Washington D.C.
2001 Ken’s Gallery, Firenze
2001 Florence Art Gallery, Firenze
2001 Art-E-Mail, Marbella, Spain
2002 Agora Gallery, New York City
2002 Art-E-Mail, Marbella, Spain
2002 American Consulate (Firenze,
Italy)
2003 Enoteca Giraldi, Firenze
2004 Figaro Gallery, Annandale, Virginia
2005 Figaro Gallery, Annandale, Virginia
2006 Flowers That Last Forever -
May 13 - June 11, 2006 - Figaro Gallery, Annandale, Virginia
2006 "Art
in Progress" November 5, 2006 - Leonardo TV (Italian "Style"
Channel)
2008 NEEL Gallery, Paris, France
2009 NEEL Gallery, Paris, France
2009 NEEL Gallery, Cannes, France
2010 Galerie Neel, Cannes, France
June 11 - 25, 2010 "Oltre La Prospettiva"("Beyond the Perspective")- (One Man Show) at Padaglione Berti - Sesto Fiorentino (Firenze)
October 2 -17, 2010 "Le Scatole nel Mondo - Il Mondo in una Scatola" in Palazzo Pretorio, Sesto Fiorentino, Firenze (Collective Show)
December 12-19, 2010 "Giuseppe Pescetti" - in Palazzo Pretorio, Sesto Fiorentino, Firenze (Collective Show)
December 15, 2010 "Le Scatole nel Mondo - Il Mondo in una Scatola" Theme: Reflections on Water in Palazzo Pretorio, Sesto Fiorentino, Firenze (Collective Show)
April 9, 2011 "Know Breast Cancer -March Madness " to benefit National Breast Cancer Prevention Project/Know Breast Cancer, Manchester, MA (Collective Show)
2011 Galerie D'Orsay, Boston, MA USA
Contact:
Matthew Bates
Telephone: +39 055
483827
Cell. +39 3337996509
matteobates@gmail.com
Visit
Matthew Bates Galleries: Flowers
- Still Life
- Cityscapes
- Landscapes
- Statues
- Email
- Acrylic
©2011,
Matthew Bates, Firenze Italy